RIO BRANCO Miguel

Miguel Rio Branco (born 11 December 1946) is a Brazilian photographer, painter, and filmmaker (director and cinematographer). His work has focused on Brazil and included photojournalism, and social and political criticism.

Rio Branco is an Associate Member of Magnum Photos. His photographs are included in the collections of the Museum of Modern Art and Metropolitan Museum of Art in New York.

Rio Branco was a freelance photographer and director of photography for movies when he embarked on documentary photography and was soon noticed for the dramatic quality of his color work. In 1980, he became an associate of Magnum Photos. Fascinated by places of strong contrast, in the power of tropical colors and light, he made Brazil his main area of exploration. In 1985, he published Dulce Sudor Amargo, a book in which he drew a parallel between the sensual, vital side of Salvador da Bahia and the historical side of the city, which, at the time (1979) was inhabited by prostitutes and the fringe elements of society. It is an essay on life and death, on the scars left behind by time and by living. The photographer’s fascination for these places of strong contrast essentially resides in the power of the tropical colors and light, which he conveys by means of his pictorial sensibility.

Rio Branco’s obsession with the material power of images continued with Nakta in 1996, a book exploring the theme of bestiary in man and animal, which marked a move away from a documentary approach. He followed this with a visual and poetic project fueled by a happy encounter with Louis Calaferte’s poem Nuit Close, a collaboration that won the Prix du Livre Photo in Arles. Silent Book, published in 1997, presents tableaux of bodies and spaces affected by time; decrepitude is magnified by the light, and wounded flesh, ageing, and death haunt the work through earthy and blood red colors.